Tragedy and Aristotle Ancient Greece was the place of birth of turn. Drama comes from Greek lingual process meaning to doÂ or to act.Â By the fifth hundred BC dramas were presented at religious festivals twice a form (Ancient Greek n.pag). These grew come on of the worship of the god Dionysus. The easily illustrious classic play-writes from this succession were Aeschylus, Sophocles, and Euripides. Aristotle, a philosopher from the 4th snow BC, wrote prescriptions for tragedy in his Poetics, which were base on these classic dramas. Aristotle called Euripides, pen of Medea, the most tragic of the poets because his plays were the most movingÂ (Ancient Greek). Though fledged tragedies come through disparate pretexts from the classics, they still follow sanctioned principles. Fences, a modern drama by August Wilson, is a tragedy because it is tardily equal to Medea which is consistent with Aristotles prescriptions. First of all, for a drama to be considered a tragedy it must present offsprings of grave greatness as Aristotle explains, a tragedy, then, is the imitation of an military action that is serious.Â Medea demonstrates serious events as Jason, Medeas married man leaves her to marry the princess of Corinth: [H]e, my own husband, has rancid out solely foetidÂ (Euripides 8).
The drama also exhibits sincerity through the deaths of the princess, Creon (her bewilder and fag of Corinth), and Medeas children: There they lie close, the miss and the old yield, / suddenly bodies, an event he prayed for in his divideÂ (39). Fences also contains elements of seriousness that could latitude Medea as to the effect that the father in the story, troy, commits adultery: Im laborious to find a way to tell youÂ¦ Im gonna be a daddy. Im gonna be someones daddyÂ (Wilson 66). Troy also forms a contrasted relationship from his son, Cory: You dont count... If you want to astonish a right essay, separate it on our website: Ordercustompaper.com
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